Redcut Collective has started its activity

The RedCut Collective is composed of independent filmmakers whose aim is to strengthen the bonds with and among their peers in the Middle East by relying on shared experiences and knowledge. The RedCut Collective hopes to transcend geographical borders and create a space for convergence among independent filmmakers, particularly those in and from the Middle East. This collective aims to explore novel and creative forms of expression and break free from the capitalist conventions that dominate the film industry, in production, distribution, and audience engagement.

The censorship and other ever tightening restrictions imposed by oppressive and totalitarian regimes, on the one hand, and the influence of global commercial interests, on the other, have for long dimmed the prospects of independent filmmaking in many parts of the Middle East. The RedCut Collective rejects systematic control and various forms of censorship and self-censorship, seeking to provide a platform for independent filmmakers to freely express their ideas. RedCut’s alternative path involves rediscovering, understanding, and engaging with what can only be called a truly collective independent cinema. The focus in this path will be on independent filmmakers who have fought against class, gender, and ethnic oppression, consistently working to expose and challenge structures of suppression and dominance.

Inspired by struggles for the liberation of women, sexual and gender minorities, and oppressed nations in the Middle East, and in connection with the progressive and widespread “Woman Life Freedom” uprising in Kurdistan and Iran, one of the goals of the collective is to strive for the convergence of knowledge and action and to stand in solidarity with each other. RedCut will endeavor to strengthen social resistance and the struggle against the tyranny and dominance of capitalist conventions in the film and art communities of the Middle East, promoting transnational solidarity within the framework and in the spirit of a collective independent cinema.

Redcut’s interview with Mehrnoush Alia

Redcut’s interview with Mehrnoush Alia

Mehrnoush Alia is an Iranian filmmaker and playwright.  She received her MFA from Columbia University Film Program and her BA in Film Studies and Comparative Literature from UC Berkeley. Her debut feature, 1001 Frames, premiered at Berlinale 2025 and is the official...

Conversation between Mike Figgis and Mania Akbari, “Part One” 

Conversation between Mike Figgis and Mania Akbari, “Part One” 

Mania: As I was checking my flight seat numbers from London to Venice, my eyes fell upon a tall, muscular man with bright, curly hair and fair skin. I felt like I had seen him somewhere before. After hesitating for a moment, I passed by him, unsure if I was mistaken,...

On the Precarity of Freedom

On the Precarity of Freedom

By Amin Pakparvar Libido can be regarded as the emotional force underlying human expressions of love, originating from an individual's affection toward oneself and subsequently extending to the external world. Loving another person or object represents an expansion of...

Unsettled Reality, Tomorrow’s Imagination

Unsettled Reality, Tomorrow’s Imagination

Markéta Jakešová & Mania Akbari This selection of seven films by young Iranian women filmmakers explores the fragile and shifting nature of contemporary existence through their unique perspectives. With intimate narratives and striking visuals, these works...

Women in the Field of Struggle”: Which Women in Which Field?

Women in the Field of Struggle”: Which Women in Which Field?

By Pegah Pezeshki The following text is based on nine films by Arab women filmmakers under the title "The Place of the Arab Woman in Struggle," written by Pegah Pezeshki. This collection, curated by Giovanni Vimercati, was presented at Cryptofiction. When we think of...

Andrea Luka Zimmerman, a Wayfaring Stranger

Andrea Luka Zimmerman, a Wayfaring Stranger

by Armin Etemadi Andrea Luka Zimmerman’s cinema is basically about the empty and un-narrated spaces between the lines. She puts her finger on outcast human beings of whom no traces can be seen in the media, in history, or in any other marketable material, as though...

Interview with Nina Menkes by Mania Akbari 

Interview with Nina Menkes by Mania Akbari 

Editor: Marketa Jakesova  Considered a cinematic feminist pioneer and one of America’s foremost independent filmmakers, Nina Menkes has shown widely in major international film festivals including multiple premieres at Sundance, the Berlinale, Cannes, Rotterdam,...

There Is So Much I Want to Say

There Is So Much I Want to Say

  by: Markéta Jakešová Introduction Cryptofiction, founded by Mania Akbari, with the curator Giovanni Vimercati, presents a selection of nine diverse films, all created by women directors with a Middle Eastern background that address issues related to Palestine...